 AgentMGD
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Date: October 22, 2007 @ 10:02 AM
so calming with Mojo's guitar playing and the CB-radio like vox ...peaceful and ambient - awesome collab you two
 and download
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bmccosar
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Date: October 22, 2007 @ 10:58 AM
Wait, wait! I can decode that morse code!
Here we go! We get signal!
Let's see . . .
.- .-.. .-..
A - L - L
-.-- --- ..- .-.
Y - O - U - R
-... .- ... .
B - A - S - E
.- .-. .
A - R - E
-... . .-.. --- -. --.
B - E - L - O - N - G
- --- ..- ...
T - O U - S!!!
The U.S. took over their base!
Enjoyed the song (obviously, enjoyed it a bit too much!) Always a pleasure to hear the guitar master at work. And T2 has added the ambiance to make it sound truly psychedelic ...
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 NoRentJoseph
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Date: October 22, 2007 @ 1:01 PM
Nice work both. 
Great backing and great guitar work 
Cheers for telling up what the morse code is Bruce 
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 aorpete
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Date: October 22, 2007 @ 2:13 PM
Smooth...
Likin the Floyd lead very much!!!
Could do with uppin a we bit in the mix during the first half... but just right on the switch-over to heavier!!! 
Great to hear the two of you collabin... your joint love of Floyd really shows here!!! 
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MultiMike
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Date: October 22, 2007 @ 3:13 PM
I'm hearing a great Peter Green guitar solo  and the backing has an uncanny resemblance to a track by Manfred Manns Earth Band. Very good collab by you both
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 evansorchid
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Date: October 22, 2007 @ 10:14 PM
I have concur with AORPete, I hearing a heavy Gilmore influence that is totally creating some cool flashbacks. It reminds me of something off of 'Wish You Were Here'.
What an outstanding guitar performance.
The backing track/morse code transmission is fantastic and cinemagraphic like an old Pink Floyd record too.
Nice collab!!!! Sounds like you two were on the same wavelength.
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hantu
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Date: October 23, 2007 @ 12:30 AM
ok the morse code backing track thing is really cool, until it never ends, best to keep it as an intro and maybe an outro. It just got annoying. Or even dabs of it here and there throughout the track would have been okay with me. the squeeky door and water at the end is nice.
everything else about this is wonderful, particularly the guitar and the strings that come in bout half way.
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farfor44
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Date: October 23, 2007 @ 12:30 AM
Oooh yeah!! I'm with spike the two of you
are on the same wavelength for sure..this
is so floydian its outrageous..I dig this to the MAX!!
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Ghostie
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Date: October 23, 2007 @ 10:06 AM
 Mojo you got that singing ..cool collab..
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GeneHilbert
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Date: October 23, 2007 @ 11:16 AM
Nice gtr tone..... Nice lines.... musically very kewl.
I like the concept...... The one thing I would have done a little differently. Is that after the initial intro I would have removed the sound effects to let the music develop. I hear you are using them rhythmically but I’m still a little distracted by them. My ears want to hear the melodic and harmonic lines, but I’m being tugged at by the sound effects. Even a recapitulation here and there is kewl as a reminder of your statement. But in my opinion where you have such great melodic stuff going on, and it really is very kewl. I would not want to distract the listeners from the fact there is great musical content here.
Kewl Tune – Good Job
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Tattoomom
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Date: October 23, 2007 @ 5:16 PM
Great sound and feel to the music and guitar. I'm not sure I did the vocal effects that sound like a radio or that abstract clicking in the right speaker...but overall, a great mood with some really excellent playing indeed.
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Rodrica
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Date: October 24, 2007 @ 3:32 PM
Great concept and arrangement - beautiful guitar playing. The music is saying so much - powerfully emotional and soulful. Top class!
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8111
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Date: October 26, 2007 @ 10:08 PM
Starts out with a perfect "shine On You Crazy Diamond" feel...man, you're guitar sounds so sweet, total Gilmour goin doin here. More than the synth and guitar tones, which BTW ate Floyd-picture-perfect, the chord progression choices and voicing and phrasing are spot on. I feel like I'm lost in Pink Floyd land man. The sound effects add that mood...very, very nice man. Very, very nice.
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 ShadowMom
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Date: November 3, 2007 @ 1:21 PM
I think at this point, I'd know Matthew's sad guitar anywhere... and the backing is perfect, in spite of hantu.  It's a perfect silken sky punctuated by dots-and-dashes stars, and the guitar is the sound of the solar wind. And by now you know science means nothing, fantasy means all. And this is a sweet one.  
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mandolinlady
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Date: November 7, 2007 @ 11:38 AM
The Two Masters Collab 
You both work very well together, I love the Floyd influences Great Piece Of Musical Workmanship.
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Bluenevus
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Date: November 11, 2007 @ 8:30 PM
beautiful landscape ya'll painted here the actual sos adds a nice touch. Guitar is distant if that makes sense giving a felling of "reach out and touch me". Phrasing is beautifully done. The pads came and they went...I liked them.
Nice collab
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NosmoKing
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Date: November 18, 2007 @ 6:32 PM
Very nice collab... sort of what I expected now knowing more of both your playing styles! Nice mellow song, very Gilmorish.
I enjoyed this!
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 ajpresentsky
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Date: November 25, 2007 @ 3:47 PM
Like others have said, very much a floyd / Gilmour feel to this which I love. masterfully produced track, awesome.
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ViciousKitty
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Date: November 28, 2007 @ 6:07 PM
Love the Floyd sound.Great guitar tone.Nice and clean!I feel the surreal darked texture created by the connection/voice type sample in contrast with the guitar solo.Some great solo lines in there!Cool the pads add a a new dimension to the song construction!Awesome Job guys!
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KC123
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Date: December 3, 2007 @ 9:56 AM
The morse code in the background adds something that goes over the heads of most people. I know it goes over my head since I never learned how to decipher it. The synths add something to that cool lead guitar sound. Nice work you two! I concur with ViciousKitty that the sound is very Floyd.
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zedsalt
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Date: December 21, 2007 @ 8:08 PM
O.k., as you both are likely already aware, I'm absolutely geeky for anything even remotely Pink Floydish, so you know this is going to be an overwhelmingly positive review. The keyboard melody is like air- it's the absolute essence of the song, making the life of every other element possible...but so preternaturally perfect in its role as "pad" that it requires effort to even be conscious that it's there. The sound foley material really pulled me in; I don't feel that I "listened" to the song so much as "entered" it. And that mind-bending lead guitar made me happy to remain, swimming in the ether the tune creates until...all too soon...setting me gently down on an impossibly distant shore.
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